January 18, 2008
after Angela Marini
Looking out of the foggy, cracked window next to your side of the bed, you say the Partridges prancing on the gray-green hill above our yard make you happy. “How could they not?” you ask. “Have you ever seen a cooler looking bird?” The fact that yesteday we found a threadbare velvet chair on the curb, that you didn’t hit that deer last night, that we had the last of summer’s pesto for dinner and that you are home, safe, safe in our bed, is enough. What more can I ask, love? Your face this morning, creased from sheets and insomnia, is all. My arm under your head. Your breath against mine. You make the sentence sweet, sweeter, sweetest. Living at the edge of eternity and exile in a trailor park on this once-gilded land, we kiss like we just met.
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Posted by csandage
January 14, 2008
Sitting side-by-side in a crowded room,
the outsides of our thighs touching
as if it’s nothing,
the planet spins one thousand miles an hour.
Our wobbly table filled with small dishes, tamarind
and curry stings the noisy air we drink into our cells
and your laughter, for an instant, makes me lower my wine
to the table where it hovers above the steam
and spices while I turn to look at your smooth jaw a little too long
before turning away. Remembering my glass, I lift it
to my lips, staring into the red bulb
as if it’s my first
ever or last, as if this sip
seals a pact. All I can think about is the heat
moving along my skin where it meets you,
as if this could work.
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Posted by csandage
January 13, 2008
We did it again. Here we are: the old argument, your eyes and jaw tightening. Cut a chink in a stick for each offense. Strike four times: make four straight lines. Strike one more: cross out this set then start again. Each line multiplies like insects, like rain.
In a dream, I arrive home to find you sitting on the porch rail, balancing and drenched in full morning light. Waking, I remember to tell you.
(after a painting by Nancy Rose)
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Posted by csandage
January 12, 2008
After my last class of the semester, I gave myself the gift of starting a book purely for pleasure without any thought of teaching what I was reading. The pleasure in question: A Heartbreaking Work of Staggering Genius by Dave Eggers. You wouldn’t think that reading about a twenty-one-year-old watching both parents die of cancer within five weeks of each other and then struggling to raise his eight-year-old brother as a single parent could be hilarious, but I laugh out loud on a too-frequent basis. This is the kind of book that can get you in trouble at the library, or even in bed, if your lover is trying to do anything at all besides read her own copy of the same book, which is highly unlikely and would make a bizarre scenario.
Wonderfully anti-literary in a passionate, darkly comic, forget-what-you-think-you-know-about-lit-because-now-you-can-do-anything-in-a-book kind of way, AHWOSG begins on the copyright page where the author describes his memoir as “a work of fiction only in that in many cases, the author could not remember the exact words said by certain people, and exact descriptions of certain things, so had to fill in the gaps as best he could.” One sentence later he adds, “Any resemblance to persons living or dead should be plainly apparent to them and those who know them, especially if the author has been kind enough to have provided their real names and, in some cases, their phone numbers.” While this is not a review, I’ve noticed that few reviewers comment on the copyright page, which also goes into a mini-rant about the “absolutely huge German company called Bertelsmann A.G. which owns too many things to count or track” including Random House which publishes Vintage Books such as AHWOSG. Eggers even provides his vital statistics, notes about his hands and allergies, and his placement on “the sexual-orientation scale” which goes from one to ten, “1 being perfectly straight, and 10 perfectly gay.” Curious to know what rating Eggers gives himself? Read the book!
I first ran into AHWOSG at an airport bookstore while waiting for a delayed flight and read much of its extensive front matter which includes Rules and Suggestions for Enjoyment of this Book (“the first three or four chapters are all some of you might want to bother with”) and then about thirty-seven pages of preface and acknowledgements which feature extensive deleted scenes, an explanation of why the author voted for Ross Perot in 1996, his budget for writing AHWOSG, and an Incomplete Guide to Symbols and Metaphors (“mother” appears ten times). Yes, I stood in the airport bookstore and read the book for about thirty minutes and then didn’t buy it because I feared it would distract me from researching my master’s thesis, which is exactly what I should have been doing with that spare time between flights.
I recommend AHWOSG if you’re looking for an entirely silly, anti-tragic, moving story from a guy who admits using the “Find” function in Word to avoid starting every sentence of dialogue with “Dude.” By the way, the book was a finalist for the Pulitzer.
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Posted by csandage
The Renter Next Door
January 26, 2008The 1st draft of this essay is no longer available. A later version appeared Saturday, March 15th in the Daily Hampshire Gazette as a guest column.
PDF: luxury-saving-tree_080315.pdf